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Now that we curate even lunch, what happens to the role of the connoisseur in contemporary culture? Curate is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. Curatorial-studies programs continue to grow, and the business world is adopting curation as a means of adding value to content. Everyone, it seems, is a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture s relationship with taste, labour and the avant-garde? In this vibrant, revelatory and original study, David Balzer travels through art history and around the globe to explore the cult of curation, from superstar curator Hans Ulrich Obrist s war with sleep to Subway s sandwich artists. Recalling such landmark works of cultural criticism as Tom Wolfe s "The Painted Word" and John Berger s "Ways of Seeing," "Curationism" will change the way you look at art and maybe even the way you see yourself. This is an unusual art book. It is a book you should read and one that you can. Balzer traces the history and current hegemony of curationism, a practice of jumped-up interior decorators who double as priests explaining the gospel to the unlettered masses. A good read, if you don t mind reading things that you don t want to know. Dave Hickey David Balzer has contributed to publications including the "Believer, Modern Painters," Artforum.com, and "The Globe and Mail," and is the author of "Contrivances," a short-fiction collection. He is currently Associate Editor at "Canadian Art" magazine. Balzer was born in Winnipeg and currently resides in Toronto, where he makes a living as a critic, editor and teacher."
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